导演：
主演：
上映：
未知
更新：
2025-02-25 20:30:43，最后更新于
2月前
备注：
HD中字
评分：
0.0分
TAG：
未知
剧情：
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
收起
相关影片
1988
剧情片
美国
正片
2020
剧情片
美国
一名遭受欺凌的印度少女伪造母亲的签名，以逃学的名义参加考试，结果发现必须在第七节课之前缴纳考试费，她别无选择，只能向她极力想要离开的学生求助。
正片
2022
剧情片
美国
正片
1990
剧情片
美国
加布里埃尔·伯恩 马西娅·盖伊·哈登 约翰·特托罗 乔·鲍里托 J·E·弗里曼 阿尔伯特·芬尼 迈克·斯塔尔 阿尔·曼西尼 史蒂夫·布西密 马里奥·托迪斯科 奥莱克·克鲁帕 迈克尔·杰特 兰尼·弗拉哈迪 约翰·麦康奈尔 迈克尔·巴达鲁科 山姆·雷米 弗兰西斯·麦克多蒙德 Richard Woods Thomas Toner Danny Aiello III Hilda McLean Esteban Fernández Charles Gunning
美国一个小城市，当地的黑帮老大利奥和他的好朋友兼助手汤姆（加布里埃尔•伯恩 Gabriel Byrne 饰）同时爱上了黑道中人伯尼（约翰•特托罗 John Turturro 饰）的妹妹维娜（马西娅•盖
正片
2022
剧情片
美国
正片
2000
剧情片
美国,英国,马耳他,摩洛哥
罗素·克劳 华金·菲尼克斯 康妮·尼尔森 奥列佛·里德 理查德·哈里斯 德里克·雅各比 杰曼·翰苏 大卫·斯科菲尔德 约翰·斯拉普内尔 托马斯·阿拉纳 拉尔夫·莫勒 斯宾塞·崔特·克拉克 戴维·海明斯 汤米·弗拉纳根 史文-欧尔·托尔森 欧米德·吉亚李利 Chris Kell 托尼·库兰 大卫·拜利 艾尔·阿什顿 雷·卡雷贾 詹妮娜·法西奥 乔治·坎塔里尼 阿兰·柯德勒 迈克尔·梅林杰 亚当·利维 吉力·吉尔克里斯特 Kjeld Gogosha-Clark 尼克·梅因 若昂·科斯塔·梅内塞斯 迈克·米切尔
马克西·蒙斯（罗素·克劳 饰）是罗马帝国战功显赫，受人拥戴的大将军。老国王马库斯·奥利利乌斯（理查德·哈里斯 饰）对大将军赏识有加，有意加冕于他。老国王对将军这种超越亲情的宠爱自然招来太子康莫迪乌斯的
正片
2010
剧情片
日本
正片
2021
剧情片
美国
托雅·卢凯特 Michael Anthony 凯莉·希尔森 托比亚斯·特鲁维利昂 Mahdi Cocci 何西·阿钱切斯 Teresa Celeste Brandon Sutton Chris Whitley Durrell 'Tank' Babbs Perri Camper Victoria Russell Tamara Stackhouse Phire Whitaker Ms. Juicy Alnisa Chislom Jazzmon Baker 克里夫顿·鲍威尔
蒂芙尼即将与她的灵魂伴侣、英俊的达蒙·金（King Enterprises 的创始人）举行她梦寐以求的婚礼。但当 Damon 的老朋友 Trey 刚从监狱出狱，成为 Damon 的伴郎时，Tiffan
正片
正片
2021
剧情片
美国
Aisha Fabienne Ross 艾薇·乔治 Greta Bellamacina Stella Baker Colette McDermott Sadie Scott Bailey Edwards 朱丽叶·拉贝尔 Joe Gillette Belle Aykroyd Dan Shaked Maeve Whalen Sophia Dunn-Walker Marié Botha Elizabeth Yeoman
契诃夫的《伊万诺夫》改编自契诃夫的小说，故事背景设定在加州乡村。安娜正在举办一场跨年派对。高中好友妮娜意外现身，唤起了另一个女孩的情感，也揭开了派对的神秘面纱：一群古怪的千禧一代派对常客。
正片
2021
剧情片
巴西
18 岁的马图斯（克里斯蒂安·马尔赫罗斯饰）希望为乡下的工人阶层家庭提供更好的生活。他和镇上的其他少年一起辗转进城，到圣保罗工作，完全不知道等待着他们的是什么：他们到了一个废品站，开始没日没夜地干活，
正片
2022
剧情片
美国
讲述了三个女孩被一个名叫“布莱克”的神秘网络恶霸折磨的故事，布莱克让她们发送裸照，骚扰她们并追踪她们的一举一动，因此她们决定寻求侦探的帮助来揭露骚扰者的真面目。
正片
2020
剧情片
美国
迈克尔·多曼 索菲亚·布什 德蒙特·莫罗尼 罗伯特·菲茨杰拉德·迪格斯 埃里克·罗伯茨 布莱恩·萨卡 梅洛拉·沃尔特斯 马克斯·阿西涅加 泰勒·格雷 兰德尔·瑞德 Zac Badasci Biff Wiff Geri Courtney-Austein Toni Robison-May Amelia Morck Christian Calloway 英德拉吉·萨卡尔 Miguel Pérez
索菲亚·布什(《超人总动员2》《芝加哥警署》)、迈克尔·多尔曼(《爱国者》《恐怖游轮》)将主演新片《倒霉情歌》( )，基于 的歌曲“
正片
2021
剧情片
日本
正片
2021
剧情片
美国
正片
正在热播
更多
2025
连续剧
中国大陆
独家推荐
第23集
2025
大陆综艺
中国大陆
独家推荐
第2期上
2025
大陆综艺
中国大陆
独家推荐
第11期
2025
连续剧
中国大陆
独家推荐
第24集完结
2025
剧情片
中国大陆
独家推荐
正片
2025
喜剧片
中国大陆
独家推荐
正片
2025
剧情片
中国大陆
独家推荐
正片
2025
剧情片
中国大陆,中国香港
独家推荐
正片
